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The Owl House End Credit Theme is an instrumental theme that is used for the closing credits of The Owl House. It was composed and produced by TJ Hill, and animated by series creator Dana Terrace.
Appearance[]
Season 1[]
The outro consists of footage showing Luz walking through various parts of the Boiling Isles.
- In the first part, Luz is seen walking down a part of Bonesborough called Thistle Street. She looks around in amazement.
- In the second part, Luz walks through the marketplace with various stalls in it. She looks at a multiple-eyed blinking meat with a horrified expression.
- In the third part, Luz walks through the Slayground while kicking a Grudgby ball.
- In the fourth part, Luz walks through the hallway of Hexside and waves at Willow and Gus. Amity can be seen leaning on a pillar, ignoring the trio.
- In the fifth part, Luz walks through the Bonesborough Library. A book she is holding flies off.
- In the sixth part, Luz walks through the part of the Boiling Isles forest where the Bat Queen lives. She looks around with a frightened expression.
- In the seventh part, Luz walks along a river of the Boiling Isles while looking at the Titan's skull.
- In the final part, Luz runs through the forest and arrives at the Owl House. King is chatting with Eda excitedly as Hooty watches them from the back with a happy expression. King and Eda notice Luz and wave at her. Luz smiles and runs towards them. The camera then pans up, showing a clear purple sky.
Season 2A[]
The outro now consists of a series of artworks drawn in an ancient Egyptian art style. They are created by Jesse Balmer.
- The first picture shows Eda, Luz, and King riding on the Owl Staff. King is seen holding Francois.
- The second picture shows Lilith and Hooty in the living room of the Owl House. Lilith is sitting on the couch as Hooty pours her a cup of tea. Lilith's Raven Staff can be found leaning on the couch.
- The third picture shows Willow, Luz, Amity, and Gus walking together. Willow is holding a flower pot with a man-eating plant in it; Luz and Amity are holding books; and Gus is trying out his illusion spells.
- The fourth picture shows both Emperor Belos and the Golden Guard at the Emperor's Castle. Belos is putting on his mask while the Golden Guard takes off his mask, slightly revealing his face.
- The fifth picture shows Eda partially turning into the Owl Beast. Her left arm becomes a wing and her left eye turns black. Multiple elixirs can be seen floating around her.
- The sixth picture shows King sitting on a log at a beach looking up towards the sky. To his right, a figure depicting him as the "King of Demons", which usually appears when telling King's backstory, is seen.
- The seventh picture shows Luz looking at the portal key with a sad expression.
- The eighth picture shows Eda and King coming to console Luz. Eda puts her hand on Luz's head while King looks at her with open arms.
- The final picture shows Eda, Luz and King looking upwards, smiling together.
Season 2B[]
Starting from "Follies at the Coven Day Parade", some new artworks have been added while some old artworks from Season 2A have been removed.
- The first picture remains the same as Season 2A.
- The second picture is similar to the third picture from Season 2A, with a few changes:
- Willow has a new hairstyle, and is holding a flower pot with a larger flower in it.
- Amity is drawn with her new hairstyle and is holding hands with Luz.
- Gus is walking with two of his illusions.
- The third picture shows Eda in her harpy mode and King using his sonic shout power.
- The fourth picture remains the same as Season 2A.
- The fifth picture shows Camila and Vee looking out a window from inside the kitchen at the Noceda residence. They both have a sad expression on their faces and it is raining outside.
- The sixth picture shows Terra using vines to wrap around Raine, presumably to mind-control them. Behind Raine, Darius and Eberwolf glance at them sideways.
- The seventh picture shows Luz standing alone, looking at the Titan's skull.
- The eighth picture shows King running towards Luz from her left and Eda walking towards Luz from her right.
- The final picture shows the trio standing together, looking at the Titan's skull.
Season 3[]
From Season 3 onwards, each episode's end credits consists of a series of unique and different artworks. They are drawn by Daun Han.
- For "Thanks to Them":
- The first artwork shows Camila and Luz bringing pizza and other types of food home to Vee, Hunter, Amity, Willow, and Gus.
- The second artwork shows Luz trying to teach Camila about the different types of glyphs while Amity stares at Luz adoringly.
- The third artwork shows Gus playfully putting Hunter in a chokehold while Willow jumps off from somewhere high up, ready to land onto the duo.
- The fourth picture shows Masha and Vee hanging out together in downtown Gravesfield, passing in front of Robin's Roast Café. Their unnamed long-haired friend waves at them from nearby while holding a skateboard in the other hand.
- The fifth artwork shows Luz, Amity, Camila, Vee, Hunter, Willow, and Gus in the cinema. All of them except Luz and Vee are freaked out by something shown on screen. Luz is trying to console Amity while Vee is sitting further back, appearing chill and wearing a 3D glasses.
- The sixth artwork shows Hunter falling asleep on his bed while reading "Cosmic Frontier". Above him, Flapjack is flying.
- The seventh artwork shows Belos staring at the camera from somewhere in the woods.
- The eighth artwork shows Luz sitting in front of the Old House, hugging her knees as she buries her face in her arms. It is raining outside.
- The ninth and final artwork shows Luz, Amity, Camila, Vee, Hunter, Willow, and Gus in their Halloween day costume/outfit, standing and looking at something with a determined expression.
- For "For the Future":
- The first artwork shows King standing at somewhere high up, looking at the now completely terraformed Boiling Isles.
- The second artwork shows Boscha and Matt Tholomule arguing in front of the statue of Principal Bump, while Skara, Jerbo, and Viney watch on.
- The third artwork shows the Collector having a party with some of the puppets of the Coven Heads, with King looking uneasy.
- The fourth artwork shows King trying to calm down Owl Beast Eda as the Collector watches on. Beside King, puppet Lilith lies on the ground.
- The fifth artwork shows Skara, Mattholomule, Barcus, and Jerbo trying to fight off one of the Collector's spies. Boscha hides behind a wall nearby looking upset while Kikimora tries to console her.
- The sixth artwork shows Mattholomule and Jerbo in the washroom. Jerbo is brushing his teeth while Mattholomule uses a marker pen to draw mustache and beard on his face.
- The seventh artwork shows Eda in the process of cutting Lilith's hair. King squints at Eda with a skeptical expression.
- The eighth artwork shows King staring at a pond sadly. The reflection in the water shows him, Luz, Eda, and Hooty all happy together, a metaphor of him reminiscing about his happier times before and missing his family.
- The ninth and final artwork shows the Collector floating and looking up at the Archive House floating above the Titan's skull.
Gallery
Click here to view the gallery.
Trivia[]
- In the credits for "A Lying Witch and a Warden" and "Witches Before Wizards", Willow's outfit is light purple due to studying the abomination track at the time.
- From "I Was a Teenage Abomination" to "O Titan, Where Art Thou", Willow's uniform color is changed to green to reflect her transition from the abomination track to the plant track in the former episode.
- In "Agony of a Witch", the usual credits sequence is replaced with a shot of the Emperor's Castle.
- In "Young Blood, Old Souls", Eda's appearance, such as her left eye and the gem that she wears, changes to match her appearance at the end of the episode.
- Season 2a's sequence features a series of illustrations which reference multiple events of the season:
- Lilith staying at the Owl house after leaving the Emperor's Coven.
- Amity becoming more sociable with Luz, Willow and Gus.
- The threat of Emperor Belos and the presence of his right-hand man, the Golden Guard.
- Eda struggling to manage her curse.
- King contemplating his ancestry.
- Eda and King still trying to help bring Luz home.
- Season 2b (until "O Titan, Where Art Thou") changes some illustrations to better reflect the events of the remainder of the season:
- Amity and Luz officially starting a relationship.
- Eda and King using the powers they respectively discovered in "Knock, Knock, Knockin' on Hooty's Door".
- Camila taking care of Vee in the Human Realm.
- The greater presence of Terra, Raine, Darius and Eberwolf. Raine is entangled by Terra's vines as if under mind-control, reflecting Raine's ruse in "Follies at the Coven Day Parade".
- Luz, Eda and King looking at the Titan's skull, foreshadowing the Day of Unity occurring there at the end of the season.
- "Clouds on the Horizon" uses a shot of Kikimora flying Luz to the Titan's skull.
- "King's Tide" uses a shot of the old house during the rain. A blob of the emperor's goopy remains drips from the ceiling onto the doorknob and closes the door, revealing that the threat of Belos is not yet over.
- Season 3's "Thanks to Them" and "For the Future" uses illustrations as well, but depicts new events to maximize time constraints.
- The extended version of "Watching and Dreaming" displays its credits over the timeskip.
- In the standard version, the credits are instead displayed over the lower-third of the screen during Luz's ending monologue.